Best Price Pelican 1551 4 Piece Replacement Foam Set for 1550 Case

Pelican 1551 4 Piece Replacement Foam Set for 1550 CaseBuy Pelican 1551 4 Piece Replacement Foam Set for 1550 Case

Pelican 1551 4 Piece Replacement Foam Set for 1550 Case Product Description:



  • 4 Piece Replacement Foam Set for 1550 Case

Product Description

Keep your camera equipment well-cushioned with this replacement foam set for the Pelican 1550 series of Pelican watertight and airtight shipping and carrying cases.

Customer Reviews

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1 of 1 people found the following review helpful.
4Good replacement
By Ernie Sharp
I ordered this foam as a replacement set for a Pelican case that I bought at a yard sale. It was a perfect fit, and the precut nature of the foam allowed me to tailor the foam in the case to fit the items I was protecting. It was easy an quick, and looks like it was done at the factory.

1 of 1 people found the following review helpful.
5Pelican Replacement Pick 'N' Pluck Foam Set (4) for the 1550 Case
By Thomas K. Theeck
Item is exactly as adverised and very useful.

0 of 0 people found the following review helpful.
4Pelican Foam Insert
By meat
The Pelican foam inserts work great. They are easy to custom fit and install correctly, and the foam seems to be of high quality. So far, I am very happy with all Pelican products that I have purchased, which includes 3 hard boxes, 2 buckles, and 2 foam inserts. I would be carefull not to purchase anything through Optics Planet though. I have made that mistake before and they sent one product 3 weeks after I ordered it, and the other product has not shipped yet and it has been over a month for a product they said they had in stock. Do not use Optics Planet.

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Discounted Pelican 1520 wl/wf; silver, silver [PRICE is per EACH]

Pelican 1520 wl/wf; silver, silver [PRICE is per EACH]Buy Pelican 1520 wl/wf; silver, silver [PRICE is per EACH]

Pelican 1520 wl/wf; silver, silver [PRICE is per EACH] Product Description:



  • Sale Unit: EACH

Product Description

Pelican 1520 wl/wf; silver, silver [PRICE is per EACH]

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1 of 1 people found the following review helpful.
5Pelican perfection
By J. Brennan
There are several choices on the market for foam-filled cases, and some are cheaper than the Pelican, but in my experience, none have been so consistently high in quality. The integrity of O-rings, the durability of the latches and the color choices all made the decision to buy this Pelican a simple one. My company owns about a dozen in various sizes, and they are just great.,

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Discounted Tenba 634-508 TTP34 Car Case TriPak (Black/Blue)

Tenba 634-508 TTP34 Car Case TriPak (Black/Blue)Buy Tenba 634-508 TTP34 Car Case TriPak (Black/Blue)

Tenba 634-508 TTP34 Car Case TriPak (Black/Blue) Product Description:



  • 1050 Denier Ballistic Nylon Exterior tough as nails water and abrasion resistant yet light weight elegant and professional in appearance
  • The finest hardware available including massive #10 YKK zippers welded steel D-rings and more
  • Internal framework of corrugated, air channel polyethylene and high-density foam; provides structure, impact and puncture protection (selected styles)
  • Rigid enough to ship, light enough to carry on location
  • Inside dimension: inches 33.00 L x 6.50 W x 8.50 H/centimeters 83.82 L x 16.51 W x 21.59 H
  • Tripods, light stands, backgrounds, booms, and other outsized gear need to feel safe and secure, too. The Tripak is the answer.
  • Tripaks provide outstanding protection for your tripods, light stands, backgrounds, booms, and other outsized gear. Capacity: Grip equipment, tripods, light stands and accessories up to 34 inches (86 cm) long.

Product Description

Tripods, light stands, backgrounds, booms, and other outsized gear need to feel safe and secure, too. The Tripak is the answer.

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0 of 0 people found the following review helpful.
5Great Bags
By Todd K. Leen
These are great bags for traveling with tripods. They offer uncompromised protection in a light-weight package. If you need to check a tripod in airline baggage or air ship it (without additional packaging) these are the way to go. A bit pricey, but you get high-quality design, components, and workmanship.

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Low Price Photoflex Transpac Single Light Kit Case, Internal Dimensions 34" x 10.5" x 10.5" (86.4 x 26.7 x 26.7cm)

Buy Photoflex Transpac Single Light Kit Case, Internal Dimensions 34" x 10.5" x 10.5" (86.4 x 26.7 x 26.7cm)

Photoflex Transpac Single Light Kit Case, Internal Dimensions 34" x 10.5" x 10.5" (86.4 x 26.7 x 26.7cm) Product Description:



  • 600-denier proprietary DuraCloth & rigid wall of lightweight corrugated polymer.
  • Double-stitched taped seams.
  • Bolt and locking nut through-wall hardware assembly.
  • Corners and rails are made of high-impact shock-absorbing lightweight polymer.
  • Can be wheeled or carried.

Product Description

The Transpac Single-Kit Case is ideal for transport of a single lighting kit. It is designed specifically to provide the right amount of compartments for the components of a single kit. The Single-Kit Case includes a flat bottom of PVC and full-length divider partition of closed-cell foam; double-stitched seams and a polyurethane seal; oversized, heavy-gauge, self-repairing zippers; and a sewn-in business card holder. Internal Dimensions 34" x 10.5" x 10.5" (86.4 x 26.7 x 26.7cm) External Dimensions 36" x 12" x 10" (91.4 x 30.5 x 25.4cm) External Dimensions (with feet) 42" x 12" x 10" (106.7 x 30.5 x 25.4cm) Weight 14.4 lbs (6.5 kg)

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0 of 0 people found the following review helpful.
4So glad I bought it
By Pezz
I use this to carry my hot light, extension cords, bulbs, tripod, light stand, light, and a few small items as necessary to shoot on location. It has hard handles on both ends so it's easy to remove from my car no matter which way I had put it in. The straps on top are held together with a velcro handle that often comes apart (I use them for leverage when pulling out of car). It has several moveable dividers inside. Sometimes they come "un-velcro-ed" due to the weight of items pushing on them. Red interior makes it easy to see everything. Looks clean and professional.

0 of 0 people found the following review helpful.
5Great Product, Great Price
By John Tucker
Received this case, shipping was quick, and have enjoyed it everyday since. I shoot a lot of on location shoots and this light case has helped save a lot of carrying. It holds 3 alien bees, all the cords, the pocket wizards, the light stands and it ROLLS! It has allowed me one less trip from the car to the location.It can become quite bulky with all the equipment inside and the straps, although well sewn, seem awkward when carrying the case by the straps. The case is durable and almost indistructable. You can't go wrong with the pruchase of this case!

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Best Price Canon EF 400mm f/5.6L USM Super Telephoto Lens for Canon SLR Cameras

Canon EF 400mm f/5.6L USM Super Telephoto Lens for Canon SLR CamerasBuy Canon EF 400mm f/5.6L USM Super Telephoto Lens for Canon SLR Cameras

Canon EF 400mm f/5.6L USM Super Telephoto Lens for Canon SLR Cameras Product Description:



  • Lens construction: 7 elements in 6 groups.
  • Fluorite and Ultra-low Dispersion-glass; internal focusing; full-time manual focus.
  • Closest Focusing Distance: 3.5m / 11.5 ft.
  • Focal Length & Maximum Aperture: 400mm 1:5.6
  • Filter size: 77mm

Product Description

This high-performance lens was designed with portability and handling ease in mind. One Super UD-glass element, whose characteristics are similar to fluorite, and one UD-glass element result in sharp pictures from corner-to-corner. The lens also has a built-in hood and a detachable tripod mount.

Customer Reviews

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109 of 111 people found the following review helpful.
5A really sweet long lens
By A photographer
I've been using this lens about six years. In all that time, I can't remember ever shooting at any aperture smaller than f/5.6. It's amazingly sharp wide open and I've never had any reason to stop it down. When I first bought it, I used it on a tripod almost all the time. These days, I've started using it handheld and I can appreciate how well it handles. In good light, autofocus is fast and accurate. In low brightness and low contrast light, it gets a little slow and sometimes hunts. Not a real problem, just switch off the autofocus and use the superb manual focus ring. Images snap in and out of focus easily whether you do the focusing or you let the lens do it.The lens is made like a tank. Mine has been subjected to a lot of use but it has never failed me. I sometimes use it with the Canon 1.4x Extender which makes it a 560mm f/8 lens. That combination does usually require a tripod but it is still a handy combination that retains great sharpness. I've also used it with the Canon 2x Extender as an 800mm f/11. It's a good idea to put it on a sturdy tripod and stop down a wee bit to get the best results.If you can make use of the focal length and you can live with f/5.6 as the maximum aperture, I recommend it highly.

90 of 94 people found the following review helpful.
5Great quality for the price
By Mark J. Minasi
A 400 MM prime for about a grand? Neat.I originally bought the 100-400 when I got my Canon body, as I wanted to do wildlife photography and wasn't even AWARE of this lens. I wish I had, because this lens is (1) a pound lighter than the 100-400 (two pounds vs three), (2) doesn't pump dust into my camera body when I adjust the zoom (as there isn't any zoom!), (3) is shorter and so easier to balance in my hand, (4) has a built-in lens hood -- the one with the 100-400 is separate and surprisingly flimsy for a $1500 product, (5) produces a somewhat better picture, and (6) it is a 77 mm L lens, which means I needn't buy a new set of UV and polarizing filters. (Many, but not all, "L"s are 77 mm diameter lenses.)No, there's no IS, but -- and here's the important part -- it doesn't NEED it. That one pound and shorter length makes all the difference, at least for me. But if you're undecided, then keep in mind that: (1) the 100-400 has that zoom, which means that when you CAN shoot in, say, 100 mm, then you're doing it at F/3.5, and (2) if your hands are a bit wobbly then you can do a lot of hand-held shooting with the IS.I wondered if I'd miss the zoom, but in all honesty there has only been one shot in the two years that I've shot with this lens that I wished that I could dial it back a bit. A great lens for the money.

43 of 43 people found the following review helpful.
5Canon 400mm f/5.6L Telephoto Lens
By Gadget Hound
I purchased this lens primarily for hand-held bird photography for use on my Canon 40D DSLR. The lens is typical of Canon's L-series "white" family of professional level telephoto lenses, having very high standards of construction and superb optical performance, even with a 1.4X teleconverter, when conditions allow.This lens is known as the "overlooked" Canon telephoto, since it does not garner the glamor of its cousins, the really long, heavy, faster, and vastly more costly professional telephoto lenses. It is also known as the "toy lens" by bird photographers who mostly use those really Big Berthas for long-distance close-ups with blurred-out backgrounds.I selected it for the high image quality wide-open, relatively light weight, and shorter physical length, allowing both hand-held and tripod mounted use, as well as its modest cost (compared to all high quality alternatives). The image quality is extremely high, even wide open at f/5.6, although it does improve slightly stopped down a notch or two. The image contrast, flare resistance, and color saturation are also excellent for a telephoto lens of its "older" fixed focal length optical design.It doesn't have image stabilization (IS), which maintains the reasonable price, but I don't consider that much of a handicap using Canon's DSLR's, which allow low-noise high ISO settings for higher shutter speeds under decent lighting conditions. Braced against a tree, fence post, etc., and especially in a sitting position with arms resting on knees, for example, the lack of IS is simply not an issue. The focus is extremely fast and accurate with the 40D's sensitive all X-type focus points, and the quickly removable tripod mount is of an excellent design that all tripod mounts should have.As a bonus, on the 40D, the lens has the equivalent field of view of a 640mm f/5.6 telephoto lens! When a high quality teleconverter can be used, this becomes almost a 900mm f/8 telephoto (actually 896mm)! Not to exaggerate the point too much, but that's starting to get into the Big Bertha focal length range, under the right lighting conditions. Other pluses include the handy built-in sliding lens hood and the very high quality included lens case, which are extra cost items for Canon's non-L lenses.The 400mm and 500mm zooms all seem to suffer from image softness at their maximum focal lengths, which I would be using 90% of the time anyway, so I elected to simply get the highest quality fixed 400mm I could find for a reasonable price. I also decided that I could live with 1 f-stop less than the much more expensive f/4's, since this lens can be shot wide-open at the same high quality as the f/4's stopped down - thus resulting in f/5.6 anyway.This reasoning is even more appropriate when including the slightly less expensive, still high-quality, third party lenses, such as Tamron, Tokina, Sigma, etc. I reasoned that since I plan to use this lens for the rest of my life, why compromise in image quality for a few percent lower initial cost? I'm not slamming third party lenses in general by any means (I own a few), just in this case of comparing available alternatives (including other Canon's) to the selection of this particular Canon 400mm and its intended use.I was blessed with several excellent bald eagle shots on what I had expected to be just an initial "practice with the new lens" outing. Because of this excellent lens, it turned out to be a very productive shoot. I would include a thumbnail photo of one of these shots, except I can't seem to be able to "paste" a small image into Amazon's review window.For one that is willing to accept and operate within the parameters of this lens, that photographer will be handsomely rewarded by Canon's 400mm f/5.6L telephoto lens. In my case, it is exactly what I was looking for and it is exceeding all my expectations.

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Best Price Canon EF 100mm f/2 USM Telephoto Lens for Canon SLR Cameras

Canon EF 100mm f/2 USM Telephoto Lens for Canon SLR CamerasBuy Canon EF 100mm f/2 USM Telephoto Lens for Canon SLR Cameras

Canon EF 100mm f/2 USM Telephoto Lens for Canon SLR Cameras Product Description:



  • EF mount; telephoto lens
  • Internal focusing; full-time manual focus
  • 100mm focal length
  • f/2 maximum aperture
  • Micro UltraSonic Motor (USM)

Product Description

Despite the large maximum aperture, the lens remains compact. Lens group 5 moves for rear focusing, and sharp, crisp pictures are obtained at all apertures. The background blur is ideal for portraits. The USM autofocuses the lens quickly and quietly.

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46 of 48 people found the following review helpful.
5Excellent prime!
By Robert McCormick
I love this lens. I'd previously tried a friend's and was quite impressed with the sharpness from f2.2/2.5 onward, and the bokeh around f2.8/3.2. Upon purchasing the lens, I was overjoyed to discover both better sharpness (impressive wide open and just great by 2.2/2.5 in most circumstances) and smoother bokeh. I've also done some comparing of my lens with an 85mm f/1.8 that I used to own and I'm quite a bit more impressed with the CA performance at wide apertures with the 100mm than with the 85mm: at f/2, CA is present in high contrast situations, but not nearly as bad as with my 85mm; by f/2.5-2.8, the CA is already greatly reduced; and, by f/3.2-4, it's nearly absent. For a non-L, the contrast and color are great, as well. For the cost, size, and capability, I have yet to use a more impressive prime!

98 of 109 people found the following review helpful.
5Superlative on a full-frame SLR, awkward on a crop
By D. Alexander
I originally bought this lens for use with an Elan II film SLR back in 2003. It was extraordinary. The bokeh, focal length, and extreme background blur made it my favorite lens.Fast forward to 2005. I bought a Canon Digital Rebel. Now my 100/2 was a 160/2. That's too long for indoor portraits and too short to be a real telephoto. It also had noticeably less background blur at the same framing. Slowly, I noticed that I wasn't using it as often, or really at all. So I sold it and bought a 50/1.4.That's the unfortunate thing with this lens. As an optic, it's very good. Fairly sharp from f/2, fast and quiet AF, and only moderate color fringing. The only performance caveat is that it's a little low on contrast below f/2.8. But the focal length is just *so* inconvenient on Canon's most common DSLRs. This 100/2 feels cramped for space indoors, but too short to get up close and personal outdoors. The optical design is also optimized for close distances, so if you try to use it for distant objects at larger apertures like a real telephoto, fine detail disappears. And it's incompatible with Canon teleconverters, though you wouldn't really want to attach one anyway.What I used this lens for on my Elan II was flattering women. It's extremely good at that. My 50/1.4 serves a similar purpose on crop, but at an 80mm equivalent, it's a bit on the short side. The best option would be a 70/1.4, a focal Canon has yet to produce.If you're considering this lens for a body with a 1.6X cropped sensor (Rebels, 10D-60D, 7D), consider the 85/1.8 instead. They're similar designs, but the 135mm equivalent is just inside the standard portrait range and you may like it better.

20 of 20 people found the following review helpful.
5one of my favorites
By Brett Maxwell
I love this lens. I bought it basically because it is the longest focal length with a really large aperture under $500 ($925 for the 135 f2 and $4800 for the 200 f2). It focuses quick and is razor sharp, even wide open (I find I shoot with it 95% of the time at f2.0). On my crop sensor 40D it acts as a short telephoto and allows me to capture great action and tight portraits with perfectly blurred backgrounds.My one and only complaint is the lens hood attachment is not the best design. Definitely not large enough an issue to deduct a star.

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Discount Adorama Projector Stand 56" (SPS-2)

Buy Adorama Projector Stand 56" (SPS-2)

Adorama Projector Stand 56" (SPS-2) Product Description:



  • Precision made
  • Extra sturdy and extra tall (56")
  • Sets up in minutes without any tools
  • Constructed of solid aluminum
  • Tubular legs with rubber tips

Product Description

Sturdy all purpose Exhibitor Projector Stand, Iideal for Multi-media presentations, laptops, slide, movie and overhead projectors, TV monitors, sound, recorder, speaker equipment, multi-image programmers, etc. This heavy duty stand, with its Oversized 17"x25" Molded resin shelf will support up to 100 lbs. vibration free, rubber clad non skid feet. It has 12x20" aluminum top that is covered with a non-skid ribbed rubber. The telescoping aluminum legs can be adjusted from 32" to 56". All 4 legs are removable and and store under molded top shelf. With its built-in carry handle it becomes a compact portable unit.

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0 of 0 people found the following review helpful.
5Holds plenty of weight; sturdy
By JMO
This works great for our projectors. It's very strong, a bit wobbly if you push it around, but I feel perfectly safe using it. We have quite a large projector on one of them, and it holds very well. The legs detach to make it nice and portable, and although it's very easy to setup and take down, it does take a few minutes, as the legs all have to be screwed in individually (but that makes me trust its sturdiness more!)

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