Buy Canon EF 35mm f/1.4L USM Wide Angle Lens for Canon SLR CamerasCanon EF 35mm f/1.4L USM Wide Angle Lens for Canon SLR Cameras Product Description:
- Ring-type UltraSonic Motor (USM)
- f/1.4 maximum aperture
- Inner focusing; floating system , aspherical lens , full-time manual focus
- EF mount and wide-angle lens
- The focal length is 35mm
- EF mount; wide-angle lens
- Inner focusing; floating system; aspherical lens; full-time manual focus
- 35mm focal length
- f/1.4 maximum aperture
- Ring-type UltraSonic Motor (USM)
Product Description
L-series professional f/1.4 wide-angle lens with an Aspherical lens element to correct aberrations. The floating system enables high picture quality to be obtained over the entire focusing range. Autofocusing is quick and quiet with rear focusing and ring USM. Full-time manual focusing is also possible.
Customer Reviews
Most helpful customer reviews
77 of 81 people found the following review helpful.
Razor sharp and fast, but shows light falloff.
By JAL
I am going start by saying that I rate this lens as five stars _except_ for vignetting on full frame digital sensors at wide open apertures. I use this lens as my standard lens on a 5d. I find this angle of view to be perfect for general all around photography where I will "step in" to the subject to get the shot. This lens requires more interaction with the subject, but I think it results in more dynamic pictures. This lens is razor sharp, visibly sharper than my mainstay 24-70 f2.8 L zoom. On the 5d, I can shoot at f1.4 ISO 400 indoors without a flash which is pretty cool.Now the downside. All wide angles at wide open aperture have light falloff and even this lens demonstrates this tendency. You may not even notice this on many shots, but under some conditions it is very obvious and this condition is more noticeable on digital than film. You can fix this using the distortion filter in PhotoshopCS. If you shoot at f4 or better, the light falloff is not noticeable even under the worse of conditions. The falloff is not visible when you use this lens on an APS digital sensor like the 20d where it has a "normal" angle of view.
157 of 171 people found the following review helpful.My favorite L Prime Lens
By Hidenori Inagaki
I have this lens for very long time, and it is still one of the most frequently used L Prime for my assignment.Indeed, this lens has been very popular among commercial photographer who are doing full body portrait, in the particular market, this lens is often considered as premier portrait lens.I will not go into the wisdom of using 35mm as a portrait lens since it is really up to the judgment of individual photographer.In general, there are two type of people using this lens for professional purpose.Former is people who are shooting architecture/landscape and latter is people shooting portrait.While I do not use this lens much for commercial landscape photography purpose, I used this lens a lot for commercial portrait purpose.For the particular type of model...very often female model, I often do the model interview with this lens alone to determine how well this model will work with my project.This lens works really well with particular type of model. And since I worked with Far East market frequently on commercial/magazine assignment, this type of lens work out very well and indeed became workhorse of my production.You have to be mindful, 35mm focal length is bit tricky to do portrait. So, you have to be careful with type of model you are using.It is also very useful for low available light situation, so I see some wedding photographer used them.Some of events photographer also love to use this for similar reason, and it seemed to work well with capturing child etc.However, I only see limited satisfied amateur user of this lens... while I am teaching photography lesson.It is may be because it makes very little economic sense for amateur user who are shooting landscape or family portrait.This 35mm lens focal length are well covered by many reputable L zoom lens including 16-35, 17-40, 24-105, 24-70 and other. All of them are excellent L lens, and will do wonder for the most of landscape or portrait project. Zoom lens actually makes better economic argument in many occasion.As far as difference from L zoom lens concern, you won't notice much until you started to enlarge to considerable size.To be honest, not all of my 35mm focal length shoot on commercial assignment used this prime lens either... and that is even for the people who shoot staged subject in studio. So, you can guess how often prime lens is used for journalistic type of photography.So, be sure you need this particular lens or you will be disappointed.Faster Aperture alone normally won't justify this lens.But if you know you need this lens, and your assignment or project demand this lens. Why wait.You really have to look at its performance when it is stop down to f2.8~f4 where many of money shot using this lens are created.For people who are not sure about taking plunge to the L prime lens, I strongly suggest to rent this lens for a week or more, so you will be sure you needed this lens for your particular style.Major Advantage are:1. F1.4 Aperture really help for low available light portrait situation, and ideal for indoor use.2. Very nice portrait lens for particular type of production.3. Work wonderfully on both full size sensor camera as well as 1.6x body.4. Build quality is excellent5. Very sharp, sharp enough to convince you that your L lens prime is worth the price. Very useful for spread or any other large assignment.Major Disadvantage are:1.Cost as much as L zoom lens that does not sit well for many people.2.Prime lens is inherently limited as a workaround lens, so I wold go for L zoom lens if I have to choose lens on the travel.3.35mm is not going to work well with particular type of people as head portrait lens, so if you are going to buy your first L prime lens for portrait purpose, it is might be safer to buy 50/f1.2 or 85/f1.2
83 of 92 people found the following review helpful.L primes rule!
By Roy
It is as expensive as a 24-70L, and costs 4 times more than a 35/2. It is fixed length and "only" 2 stops faster. It is not noticably sharper at f4 and higher.But I find I fall in love with it. I used a 85/1.8 and 135/2L for portrait. I also have a 24-70L, 50/1.8II and a 18-55 kit lens. But I found that I need a wide and FAST lens to shoot my kid/baby. I prefer to shoot with natural indoor light. I read reviews and browsed pictures and decided that 35/1.4L is the one I need. Based on reviews and my experience with 50/1.8II, 35/2 is NOT usable untill you stop it to f4. That is too slow.I made the right decision. At f/1.4 it is soft, but at f2.0, picture is pretty sharp. And most importantly, it maintains very good and natural color saturation which you won't get from Photoshop, as well good contrast ratio. It is not very shart at f2.0, but color and contrast make pictures beautiful. Set ISO200 and 1/40th shutter speed, I can shoot without flash at f2.0. Wider angle also means you can shoot in about 4~5 feet away so you can have eye contact with your kids or babies. You won't worry they are not looking at you/lens. This is priceless to me.Originally I thought this would be a indoor lens as I have a 24-70L. But now I also find it is a very good outdoor portrait/landscape lens. It captures very good details and color for shadow area and takes very nice portrait pictures even with back light. After a trip with this lens, I decide to use 24-70L for indoor studio light shoot only (with flexible zoom/frame).It is not a great anti-flare performer, but still better than most other lenses. Bokeh is very good with no sign of distraction at all. It may not be as beautiful as a 135/2L but much better than I expected.It is expensive, but it is a prime L. I cannot say it worth more than a grand, but if you need a fast lens, with good color and saturation at wide open, wide angle and still with beautiful bokeh. It is the one for you. It also provides good shadow details with no sign of wash out. No need to say DOV control. If you have the money, I highly recommend this lens.Body used: Canon Rebel.Lenses used: 18-55mm, 24-70L, 50/1.8II, 85/1.8, 135/2L.Cons:Expensive. Cost as much as a 16-35L, a 24-70L or a 70-200/2.8L.Back focus for 0.5 inch at f/1.4 with Rebel/300D boday but I can live with it.Anti-flare is not the best.Pros:FAST with very usable f2.Very shallow DOV.Very beautiful bokeh.Very good color saturation and good contrast even at wide open.Good shadow detail with good color/contrast (good for back light).Beautiful L color.Fast focus speed as expected from a L lens with Ring USM.L build quality.
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